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The dawn of a new era, forged in fire!
There’s something undeniably electric about transformation—the moment when an artist pushes past the boundaries of their own making, not just evolving but ascending. Pathos & Logos, the Denver-based power duo that has spent years mastering the language of instrumental alt-metal, has done just that. “Let Me Go”, the first single from their upcoming EP Gospel, isn’t just a song—it’s a declaration, a ritualistic rebirth where vocals become the final piece of a grand design.
From the opening notes, Let Me Go carries the weight of something bigger than itself. Guitars swirl like a vortex, Paul Christiansen’s drums crack like ritualistic incantations, and then—like a spell spoken for the first time—vocals emerge, spectral yet commanding. Kyle Neeley’s voice doesn’t just ride the waves of their signature intricate soundscapes; it tears through them, adding new layers of tension and release.
Lyrically, the track reads like scripture written in shadows. “A mirror in front of a mirror. Endless reflection in perfect cascade.” The words conjure something cyclical, inescapable—an invocation wrapped in introspection. The band has always embraced the spiritual and the arcane, but now, their music speaks in tongues of devotion, sacrifice, and the weight of unseen forces. The transition from the ethereal instrumental sections to the raw, impassioned vocal lines feels like stepping through a veil, from one reality into another.
The chorus, carried by the haunting refrain “Oh, let me go…”, is soaked in longing. There’s a push-and-pull between submission and defiance, between drowning and deliverance. The song’s climax is a tidal surge of emotion, where the guitars roar with newfound urgency, the drums reach a fever pitch, and the final chants of “Rise! Incantations recite! Hunter’s moon in the sky!” feel like the last words before an irreversible ascension.
If the standard version of “Let Me Go” is the doorway to this new era, then the Hunter’s Moon Version is the beast waiting on the other side. Heavier, darker, and utterly relentless, this alternate take dials up the intensity to crushing levels. Christiansen’s double bass work is a relentless onslaught, driving the track forward with machine-like precision, while Neeley’s vocals transform into a venomous snarl, delivering every line with unrestrained fury. This isn’t just an alternate version-it’s a full-fledged auditory assault.
The Hunter’s Moon version proves that Pathos & Logos isn’t just experimenting with vocals; they’re mastering them in multiple forms. With this version, they shed any remaining boundaries and embrace an even heavier, more extreme side of their sound. If Let Me Go is a summoning, the Hunter’s Moon version is the ritual complete-a transformation in fire, blood and sheer sonic force.
Musically, Pathos & Logos remains razor-sharp—intricate, precise, yet never indulgent. The addition of vocals streamlines their sound rather than complicating it, replacing some of the improvisational elements with a more focused, song-driven approach. This isn’t a band stumbling into uncharted territory; this is a band that spent years honing their craft and then decided to carve a new path with the same relentless dedication.
Mixed by Kyle Neeley and mastered by Ryan Williams (The Black Dahlia Murder, Slayer, Kardashev), Let Me Go is as polished as it is punishing. Every note, every word, every silence between the crashes of sound feels intentional.
For those who have followed Pathos & Logos since their inception in 2018, this track is a revelation. For newcomers, it’s an initiation. Either way, one thing is clear: the Gospel era is upon us, and if Let Me Go is any indication, it won’t just be heard—it will be felt.
PATHOS & LOGOS ARE:
FOLLOW PATHOS & LOGOS FOR UPDATES ON THE RELEASE OF THEIR UPCOMING EP “GOSPEL” OUT JUNE 27th, 2025!
Ethereal Metal 
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